Looking for medina, metius, media, medic?

original woodblock — Woodblock for Taking Leave, 1920
Walter Gramatté

Not on View

rock center foreground surrounded by grass-like foliage and flowers; single column of calligraphy top left — Untitled, Date Unknown
China

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cover decorated with wispy lines resembling reeds and fronds; bound with red ribbon; variety of richly colored images inside, including beautiful women, insects, landscapes, birds, and men of different ages — World of Art (Vol. 13), 1891
Watanabe Seitei

Not on View

negative black and white image of low temple building with white roof; tall, narrow snow-covered trees, small garden with stone lantern at L; small landscape UL — Temple in snow, mid 20th century
Inagaki Toshijirō

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Horse (D), Urushibara Mokuchū — Horse (D), 1960
Urushibara Mokuchū

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within a circle, a blooming green orchid with red veins; grassy leaves; fungus to the left of the orchid; red seal at lower left — Orchid and Fungus, 17th-18th century
China

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Horse (C), Urushibara Mokuchū — Horse (C), 1960
Urushibara Mokuchū

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Horse (B), Urushibara Mokuchū — Horse (B), 1960
Urushibara Mokuchū

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Horse (A), Urushibara Mokuchū — Horse (A), 1960
Urushibara Mokuchū

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album with brown brocade cover; 2-page painting with deity with folded hands, standing; blue stele with inscription at R; another painting of same deity at back — Da fangguang huayan jing, 14th century
China

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lotus roots and blooms; red seal lower left; album leaf — Lotus Roots, 17th-18th century
China

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originally part of album; round cartouche with blossoming plum branch — (Plum Branch with Flowers), 19th century
China

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Shōki Carrying Two Baskets of Demons, Kitagawa Hidemaro — Shōki Carrying Two Baskets of Demons, 1800s
Kitagawa Hidemaro

G219

three separate sheets; giant demon at center, with wrinkled ghoulish face with bulging eyes and gaping mouth, and bare arms, reaching down twoard group of men in armor armed with swords at left, right, and center, with one man beheath demon's PR arm, near demon's face; women and smaller ghouls at left and right running away; grey-green ground — Picture of Raikō and his Four Companions Conquering the Demon of Mount Ōe, 1864, 10th lunar month
Tsukioka Yoshitoshi; Publisher: Kiya Sōjirō

G238

three separate sheets; battle scene in an interior; man at right wearing blue pants with white floral medallions fading to pale yellow at hems and blue patterned blouse, behind a black lacquer sliding door with flowers against a yellow ground at bottom, pulling on a very long staff penetrating the door, held by a man in blue armor at center; two fallen men in LLC--legs only of one of the men visible, across the body of the other man; running man in blue patterned kimono, with blood on his legs, at right, holding a spear; other figures fighting in background, left — Picture of a Night Battle at Shijō in Kyoto, 1864, 3rd lunar month
Tsukioka Yoshitoshi; Publisher: Fujiokaya Keijirō; Carver: Koizumi Kanegorō; Carver: Kobayashi Kane

G238

three separate sheets; battle scene with four men holding up large rectangular wooden shields; men wear multicolored armor and helmets; man at center walks across fallen soldier wearing blue pants and green leggings and shoes; castle with rounded domes in silhouette in URC, with flying silhouettes of soldier's bodies and flags; red flag with white design at center top; reddish brown smoke/explosions throughout, including a reddish brown burst hitting shield of man at left — Picture of Masakiyo at Shinshū Castle During the Conquest of Korea, 1863, 10th lunar month
Tsukioka Yoshitoshi; Publisher: Kakumotoya Kinjirō

G238

three separate sheets; battle scene at sea, with two men wearing white loincloths swimming in foreground, with their swords tied to their backs; many boats crowded with men in armor, with swords and bows and arrows; boat at left has blue and white sails and streamers, and black tassel-like object at front; boat at center middle ground has red and white flag — Picture of the Great Battle of the Minamoto and the Taira at Dan-no-ura, 1865, 6th lunar month
Tsukioka Yoshitoshi; Publisher: Ōmiya Kyūjirō; Carver: Katada Chōjirō

G238

three separate sheets; man at right with his back to and partially covered by radiating orange flames, with mouth open and hair blowing forward; four men fall on top of each other at center, with flakes around them; other fleeing men in ULQ — Picture of Odai Matarokurō Setting His Own Castle on Fire, Calmly Entering the Fiery Pit and Dying; Enemy Troops Were Amazed at His Bravery, 1866, 12th lunar month
Tsukioka Yoshitoshi; Publisher: Tsujiokaya Bunsuke; Carver: Watanabe Eizō I

G238

three separate sheets; orange and white smoke in middle ground; man in green armor at right in background riding white horse, with purple flag with white flower; two dead men in LLC; man with long hair and full face on a brown horse at center, with a long spear and a torn red flag; figure in green armor at right — Fire, Picture of Sassa Narimasa’s Hard Fight in Kyushu, 1867, 9th lunar month
Tsukioka Yoshitoshi; Publisher: Kiya Sōjirō; Carver: Ōta Utakichi

G238

three separate sheets; underwater fight with two men in armor at center, another man falling backwards under water at left, and swimming figure at top left; four men on rocky shore at top center and URQ; swimming grey horse at right — Water, Saitō Toshimitsu fighting Nonoma in the River Akuta, 1867, 7th lunar month
Tsukioka Yoshitoshi; Publisher: Kiya Sōjirō; Carver: Koizumi Kanegorō

G238

three sheets; cartoonish animal with long grey fur, large yellow eye, yellow teeth with long fangs and blue hooves at center, throwing off man men who are falling and flipping in every directions; men in URQ wear yellow furs (?); mountains in background covered in snow; snow in foreground, with snowballs flying in front of animal and figures — Yamamoto Kansuke Killing a Wild Boar, 1868, 4th lunar month
Tsukioka Yoshitoshi; Publisher: Ōmiya Kyūjirō

G238

one sheet; man wearing a wide white headband and a white shirt with grey elements with khaki ties, partially hidden by a wall of green bamboo; black ground — Sakuma Dennai, 1869, 3rd lunar month
Tsukioka Yoshitoshi; Publisher: Ōhashiya Yashichi

G238

Evening Shower over Ōhashi Bridge and Atake, Utagawa Hiroshige; Publisher: Sakanaya Eikichi — Evening Shower over Ōhashi Bridge and Atake, 1857, 9th month
Utagawa Hiroshige; Publisher: Sakanaya Eikichi

G223

Teppōzu and Tsukiji Hongan-ji Temple, Utagawa Hiroshige; Publisher: Sakanaya Eikichi — Teppōzu and Tsukiji Hongan-ji Temple, 1858, 7th month
Utagawa Hiroshige; Publisher: Sakanaya Eikichi

G223

Forest of Suijin Shrine and Masaki on the Sumida River, Utagawa Hiroshige; Publisher: Sakanaya Eikichi — Forest of Suijin Shrine and Masaki on the Sumida River, 1856, 8th month
Utagawa Hiroshige; Publisher: Sakanaya Eikichi

G223

South Wind, Clear Weather, Katsushika Hokusai; Publisher: Nishimuraya Yohachi — South Wind, Clear Weather, 1830-1833
Katsushika Hokusai; Publisher: Nishimuraya Yohachi

Not on View

Kinryūzan Temple, Asakusa, Utagawa Hiroshige; Publisher: Sakanaya Eikichi — Kinryūzan Temple, Asakusa, 1856, 7th month
Utagawa Hiroshige; Publisher: Sakanaya Eikichi

G223

Seidō and Kanda River from Shōhei Bridge, Utagawa Hiroshige; Publisher: Sakanaya Eikichi — Seidō and Kanda River from Shōhei Bridge, 1857, 9th month
Utagawa Hiroshige; Publisher: Sakanaya Eikichi

G223

Nihonbashi, Clearing After Snow, Utagawa Hiroshige; Publisher: Sakanaya Eikichi — Nihonbashi, Clearing After Snow, 1856, 5th month
Utagawa Hiroshige; Publisher: Sakanaya Eikichi

G223

man with long hair and long beard, holding a sword, wearing a grey kimono with a brown dragon on the stomach; green cowering demon at L; curtain and door at R — Picture of Shōki Capturing a Demon in the Dream, 1890
Tsukioka Yoshitoshi; Publisher: Sasaki Toyokichi

G219

2 trees in foreground; 3 black tree silhouettes in front of a building with a blue tile roof and red, green, blue and brown doors — Karasuma Street-Kyoto, 1970
Clifton Karhu

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collection of the design of printed leather — Leathers of Old Japan, c. 1915
Matsuki Bunkyō

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Bird on a rock-like object; bird has blue wing bars and blue tail, yellow breast; grassy foliage on either side of rock — Untitled, Date Unknown
China

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crisscrossing blue, purple, and teal bars; squiggly overlapping blue and orange forms; red and yellow highlights; black spots at upper center of form — S. No. 10, 1969
Takahashi Rikio

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string-bound book of block printed images of birds, landscapes, trees, and foliage; decorated paper cover with blue wavy fibers; two color images at beginning — Picture Cards, Vol. 1, February 1901
Kamisaka Sekka; Publisher: Tanaka Jihei

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human figure dressed in blue, squatting in field with back to viewer, basket at PR side; autumnal landscape; river at LL, trees in background — Gathering Stones, c. 1982-1984
Micah Schwaberow

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hunter green formation along R half of paper with intaglio, feathered hash marks at LR and center; brown hooked form across top and UR; formation of scattered grey geometric forms URQ; organic and geometric cluster of black shapes at center and UR; overlapping irregular blue shapes at center; large grey background at R; jagged, irregular brown shape at bottom — Music (Who Play A), 1960
Takahashi Rikio

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bound book with colorful images of various and animals including birds, frogs, turtles, and crabs; cover is beige with pale blue flowers and reeds — Seitei's Book of drawings of flowers and birds, 1891
Watanabe Seitei

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large olive-green circular form with slit in center overlapping black rectangular form; smaller, irregularly shaped olive green form at R edge; overlapping lime green and rust colored forms at LRQ, slightly overlapping black rectangle; short, thick black line LLQ; triangular light brown and olive green form at bottom L edge — Saint's Answer, 1964
Takahashi Rikio

Not on View

rectangular form in tan/yellow; irregular tan, yellow, and brown blotches with form at top in teal and black; blue line at L; black marks ULQ — Noh Play, 1962
Takahashi Rikio

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circular purple form with abstract shapes in lighter purple, green, and yellow — Work (II), 1965
Takahashi Rikio

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a row of buildings with red roofs; human figure carrying large pack on back walks between two buildings at R; white center building has thatched roof and sits in front of a large barn with high pitched, red roof in back; green foliage in foreground, mountains and trees in background — Below the Duck Pond, 1982
Micah Schwaberow

Not on View

accordion album containing multi-colored images of butterflies in various styles; green silk cover with Japanese label — All Kinds of Butterflies, Vol. 1, February 1908
Kamisaka Sekka

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bound album with a variety of richly colored images and design motifs; olive green colored cover with silver birds and insects flying around — All Kinds of Things, Vol. 1, April 1903
Kamisaka Sekka

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large purple swath at R side; abstract flowerlike pattern of white incised lines, pale organic forms, and yellow details at LRQ; large strip of aqua, purple, plum, and yellow at R side; large body of grey-blue at R side with scribbled incised line at LL and arcing incised line UL; arced yellow and white line at UL; white space down middle with teardrop shaped red shape with curved white line near center — Corsage (T.4), 1970
Takahashi Rikio

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seated elderly woman with wild white hair pulled back; pink blouse; blue coat with blue and pink crisscrossing stripes; quilt made of pink, white, and lavender squares over her lap; woman holds three paint brushes in PL hand and tall cane in PR hand; large plant with pink blossoms behind woman — Homage to Fujio, 1981
Micah Schwaberow

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abstracted nest: dark brown outer ring around interior layers of tan and lavender with overlapping yellow and green forms; burgundy leaf like form at LR of nest interior; vertical brown form on R of nest — Nest R., 1966
Takahashi Rikio

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irregularly shaped purple form in UL with black, blue, red, and grey figures overlapping; large apostrophe shaped yellow figure overlaps purple figure; dark brown square shape with blue overlap and black swirl at R edge; light grey irregular figure at LRQ with long rust-colored overlapping form; grey figure resembling a question-mark overlaps at LLQ; light yellow background — Summer Vacation, 1967
Takahashi Rikio

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nude woman reclining on PR; green background; green and white patterned cloth draped between the woman's legs; banner at top and bottom reads, "In my mind I see us dancing, like autumn leaves gathered by the wind/the music touching me in special places...as you do/ from a poem by L.S." — I See Us Dancing, c. 1982-1984
Micah Schwaberow

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silhouette of a robed figure standing on top of a mountain ledge holding staff; blue clouds and mountain peaks below; orange, white, and blue sky above — After Hiroshi (For H. Ed. Robison), 1989
Micah Schwaberow

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semicircular shape with ragged edges; overlapping layers of light blue and rust colors with irregular patters; darker layers of charcoal grey, blue, and purple overlap at LR area of circle; short "tail" of blue and rust juts out at LR of circle; charcoal grey form at LL of form — Nest "A", 1965
Takahashi Rikio

Not on View

somewhat rectangular purple form with rounded R edge at center; L-shaped teal form enters purple rectangle at top; other patterns of lighter and darker purple within the rectangular form; red spot with halo at URQ of purple form; curving red form at R, abutting curved R side of rectangle; curving yellow figure frames top of purple form; very light blue circular form URQ; horizontal sweeping impressed lines URQ and along L edge; curved light blue form at L — Pantomorphic, 1970
Takahashi Rikio

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salmon pink background with yellow circular form ULQ; four-sided, irregular form with partial white fill, curving untinted form at L side of form; multiple layers of purples ad blue just LL of center with petal like offshoots; curving red line from R center to LL; yellow accent near center of red curve; large, indigo curving form at lower center; irregular oval impressed form at LRQ; half-oval salmon pink shape at LRC — Corsage, 1970
Takahashi Rikio

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kneeling woman with white towel around neck holding melon or squash on her lap with both hands; woman is facing viewer; wears straw hat, blue and purple button up blouse, and blue and purple patterned skirt with apron — Ohayo Gozaimas Lady, 1983
Micah Schwaberow

Not on View

accordion album containing multi-colored images of butterflies in various styles; green silk cover with Japanese label — All Kinds of Butterflies, Vol. 2, February 1908
Kamisaka Sekka

Not on View

string-bound book of block printed images of birds, landscapes, trees, and foliage; decorated paper cover with blue wavy fibers — Picture Cards, Vol. 2, February 1901
Kamisaka Sekka; Publisher: Tanaka Jihei

Not on View

gray, light green, brown, and orange circular formation with indigo colored fin-shaped detail near center — Nest H, 1966
Takahashi Rikio

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teal form at center with tan L-shaped form at L; blue waving line crossing form from UL to LR; brown lines at L; purple circular forms at L — Wind, 1964
Takahashi Rikio

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mass of green, yellow, purple, plum, rust, and teal in horizontal orientation at center of sheet; circular indigo formation with smaller black square forms arranged in a circular orientation overlaid with green, pink, and yellow to form a flowerlike composition within the mass at L; sweeping strokes of green and yellow over top and bottom of mass; smaller irregular green and rust colored formation at LR, behind center mass — Passionate of the Water Fowl, 1960
Takahashi Rikio

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irregular, tan form at center with overlapping brown, tan, and orange bars at edges; burgundy form to LR of form — Kyoto Series, No. 33, 1966
Takahashi Rikio

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a procession of farm animals; from L: a sheep, a donkey chicken, calf, duck, and a steer; blue background with wood grain; two palm trees at L — Animals, second half 20th century
Clement Hurd

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large brown ovals with irregular orange, yellow, tan, black, and gray forms in background; small blue and red forms at L; gray hash marks in lower half — Spring Field, 1964
Takahashi Rikio

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oblong, very irregular shape with several layers of pigment: grey, tan, brown, blue, black; darker black circular forms at center of large form; grey and brown horizontal strip across bottom — Unearth, 1965
Takahashi Rikio

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bound album with a variety of richly colored images and design motifs; grey-green cover with silver birds and insects flying around — All Kinds of Things, Vol. 3, April 1903
Kamisaka Sekka

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waving purple and red forms across bottom area; yellow background; large, white, billowy form at upper center with pattern of untinted negative space; blue circle at center, overlaps irregular unprinted pattern; irregular green figure UL — Seasonal (B), 1970
Takahashi Rikio

Not on View

large grey converging column at center surrounded by grey-blue background with incised scalloping lines at either side; vertical strip of yellow at R, vertical strip of red at L; four vertical purple forms across lower center overlapping lighter purple ovals with darker purple centers; small green mark at lower center between two of the dark purple forms; two somewhat oval blue outlines enter scene at an angle at top center; blue nearly circular form at tip of one oval outline at UR; overlapping gray forms at upper center — To North by "F", 1971
Takahashi Rikio

Not on View

circular rust colored form with overlapping yellow, purple, red, and white irregular marks — Work (III), 1965
Takahashi Rikio

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wavy vertical purple form at center with underlapping green stripe, wavy black overlapping line, and black circle; irregular, organic white form in background, sky-blue form overlaps at L from top to bottom, with curving dark blue element and yellow form at far L; peach background at R; bright red rectangle LLQ overlaps purple form, with intaglio waves and circle — Woman & Sea, 1970
Takahashi Rikio

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album of sheets containing vivid, abstract designs with wave themes; sheets are bound together at the top with two brads; contained in folding portfolio with charcoal cover and silver pigment; cover decorated with three patterned silver triangles, decorative bands, and lettering — Textile Designs - The Sea Route, August 1902
Kamisaka Sekka

Not on View

evening/nighttime scene of gold carved lantern atop a pedestal at LR; at L, a portion of a temple building (housing a gold bell?) on a stone foundation; low wall in background with towering, shadow-like foliage behind — Toro V, 1984
M. J. Erickson

Not on View

%C2%A9 Inagaki Toshijir%C5%8D

Egret, 1963

Inagaki Toshijirō

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bound album with a variety of richly colored images and design motifs; beige cover with silver birds and insects flying around — All Kinds of Things, Vol. 2, June 1903
Kamisaka Sekka

Not on View

yellow band with slight incline stretching across bottom with white intaglio curving line and light grey shading at top; irregular brown, red, and green shape at lower center overlaps yellow form; waving pale pink figures across center; block of red at UL with slight incline, stretching across most of upper page punctuated by yellow splash-like form at upper center; teal colored block abuts red form and continues incline; small valley in teal pigment at base; rounded blue form with white circle overlaps green form at UR — South, 1971
Takahashi Rikio

Not on View

older, exhausted looking woman with large bundle on back, wearing kerchief, rests her back against a bench and wearily leans against a Japanese bus stop pole; PL hand rests against the sign pole, PR hand is under apron to keep warm; faint background of buildings and rain — Wakabayashi, 1982
Micah Schwaberow

Not on View

purple rose-like form at R with irregular masses of light green, blue, purple, and teal; a few yellow and tan highlights — S. No. 9, 1968
Takahashi Rikio

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overlapping blue, black, tan, brown, and lavender forms in loose hook-shape; red oval URQ — Kyoto Series, No. 22B, 1962
Takahashi Rikio

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gray, pink, tan, and blue irregular form with overlapping black blotch and squiggly black line; black spots URQ in form; light gray form at LRC — Untitled, 1970s
Takahashi Rikio

Not on View

irregular purple form and irregular rust colored form at L; upside-down V-shaped tan mark overlaps rust form; small purple form at LRC — Form, 1966
Takahashi Rikio

Not on View

wavy vertical bands of light blue and white forms; overlapping rectangular indigo form across center from R with yellow strip at L end; rectangular red intaglio stamp with wavy lines and a circle, dark blue forms at L end; four white impressed swirl forms at lower center, one with a red "bulls eye" pattern, and two with yellow circle inside; another impressed swirl at LR with pink spot; black strip across top with white hash marks; orange band down L edge — Seabathing, 1970
Takahashi Rikio

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beige background with irregular circular grey form with light yellow spots; large, irregular, skewed pink form at center with light wafting line of impressed, untinted page over top and at L; circular and organic rust colored form at LL with overlapping red, purple, and green rounded forms; green and light grey marks to the R of the colorful overlapping area; curving brown form across lower portion extending to R center — Corsage (M), 1970
Takahashi Rikio

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gray and black irregular form; wood grain pattern in black; gray near outer edges of form — Flood, 1966
Takahashi Rikio

Not on View

%C2%A9 James C. Hogan

Untitled [portrait of man in profile, pointing], 20th century

Richard Holzschuh

Not on View

Bird with long sharp blue bill on branch with blue leaves and large flower — Untitled, Date Unknown
China

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Bird on flowering branch; golden yellow crown, breast and tail; flowers of same yellow on branches — Untitled, Date Unknown
China

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sheet of paper that is white pale green shading at bottom; half-round shape in center of sheet with flat side at top; purple shading across top of shape/ image; green marbleized section in center and bottom of half-round shape, with gilded key hole at top center; red and black diamond shape in center in green section, with flecked gilding across surface, and small, shaded round spot in top right, resembling a drop of water; yellow arch in top center of image — Baggage '15-2, 2015
Tamekane Yoshikatsu

Not on View

%C2%A9 Suezan Aikins

Moon Call, second half 20th century

Suezan Aikins

Not on View

three dragonflies, two purple/blue, and one reddish-brown fly just above the surface of a calm body of water; a few green wisps of grasses or reeds at LLC, LRC and URC; water appears to reflect a blue sky with white clouds; lower portion of water is darker blue, upper portion is lighter blue — Tombo, second half 20th century
Suezan Aikins

Not on View

a line of silhouetted figures with umbrellas--one group with a small dog--walk through the rain along a river; line of silhouetted buildings on L with red paper lanterns; green foliage at R; orange umbrella in foreground at front — Kamogawa, 1985
Carol Jessen

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green field with white buildings with steeply pitched grey roofs; foliage and bamboo at LLC — Edge of the Bamboo Forest, 1989
Carol Jessen

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close-up of a purple iris blossom — Iris, 1979
Ann Lehmann

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sheet of paper that is white with purple gradated shading at bottom; image in center that is sectioned in vertical segments; left segment is a marbleized gilded surface with texture; second from left section has blue at top that gradates into a white shade in center, with green band of pigment at bottom; segment third from left is black with gold speckling; center segment is an gradated red shade with lighter dappled segments that yellow toward top; second from right section is green in pigment with faint black circular patterns and faint black lines; right segment is gold and textured — Baggage '15-4, 2015
Tamekane Yoshikatsu

Not on View

doorway with blue textile with white characters at LL edge, hanging in doorway at center; blue tile roof; tan sidewalk — Doorway in Kyoto, 1971
Clifton Karhu

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plank wall at R with tile roofed facade at L; multicolored hanging cloths inside house visible through central doorway and 2 upper windows — Corner House-Fukuoka, 1963
Clifton Karhu

Not on View

face of a frowning man with long grey streaked black hair, high dark eyebrows and red and grey markings on face — Kumadori II, 1966
Clifton Karhu

Not on View

blue soft-cover book; Japanese text; illustrations of painting tools, hands holding brushes, and various plants, fruits, and vegetables; light colors--primarily green, blue, and tan; embossing with flowers and oval rings inside back cover — Up-to-Date Self-Instruction Manual for Painting (Tōga hitori geiko), 1848
Japan

Not on View

accordian volume with grey cover and silver detail; inside contains colorful woodblock prints — Worlds of Things (Momoyogusa), vol.1, May 1909
Kamisaka Sekka

Not on View

grey accordion bound album with silver painted detail; label with gold flecks and Japanese inscription center of front cover; contains colorful woodblock prints — Worlds of Things (Momoyogusa), vol.2, December 1909
Kamisaka Sekka

Not on View

grey accordion bound album with silver painted detail; label with gold flecks and Japanese inscription center of front cover; contains colorful woodblock prints — Worlds of Things (Momoyogusa), vol. 3, January 1910
Kamisaka Sekka

Not on View

fan shaped image with silvery ground; curvilinear green form--abstracted path; two black and grey forms left of center; black and rust-colored horizontal form at center; received in black frame — Tenryu-ji, 1968
Saitō Kiyoshi

Not on View

iris plant growing at LLC; purple iris blossom extending across image, reflecting on ground below — Iris Eve, second half 20th century
Suezan Aikins

Not on View

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